Archive for the 'music' Category

History of the Soviet Union told via Tetris music video

Thursday, August 12th, 2010



 

There’s nothing I could say to make this better except to link to his website


 

A band called Pig with the Face of a Boy made this song, cheap cure
entitled “A Complete History Of The Soviet Union Through The Eyes Of A Humble Worker, Arranged To The Melody Of Tetris.”

Possibly Related Posts:


Musical Stairs

Thursday, October 15th, 2009




Possibly Related Posts:


Beethoven, Bach visualizations

Sunday, September 13th, 2009




Beethoven’s Fifth Symphony first movement visualized


Möbius Strip Bach


In each of these canons a musical line is played twice (or four times in Canon 10). The second version is always transformed with respect to the first by shifting in time, neurologist but it may also be shifted in pitch, turned upside-down, stretched, or played backwards. Each of these transformations occurs in the mathematics of elementary functions; they are examples of how new functions can be made out of old and of how a function can be tailored to fit a new situation.

link

Possibly Related Posts:


Mistabishi – Printer Jam

Tuesday, March 31st, 2009



thanks kylev!

Possibly Related Posts:


Musical Office (1961) by Ernie Kovacs

Sunday, January 18th, 2009






The youtube blurb reads:

Innovative short produced by Ernie Kovacs in which the various objects of an office workspace come to life. The music they dance to is a medley (“Jalousie/Sentimental Journey”) by space age pop maestro Juan Esquivel.




via Laughing Squid

Possibly Related Posts:


Acid Machine

Wednesday, October 15th, 2008








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, noun
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, noun
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, noun
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.



Gijs Gieskes has made many wonderful machines from gameboys or other machines which he’s circuitbent.

He writes about the Acid Machine:

The circle with the lines that you see on the top of the machine, and rotates and displays the note you are playing.
When you play a C the lines in the middle circle will be standing still.. from the C it will go outward, displaying all notes on a keyboard in 12 steps.

It works by making a LED blink in the frequency of the sound, and rotating the image at a set speed.

more information here

(thanks, kevin!)

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guitar machine

Sunday, October 12th, 2008








In the second video you can see how he can use foot pedals to change the chord.

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