Archive for October 15th, 2008

Acid Machine

Wednesday, October 15th, 2008








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, noun
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, noun
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.








In the second video you can see how he can use foot pedals to change the chord.
An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.




Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, rx
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.

Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, there
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, psychiatrist
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.

An interesting variation of the zoetrope principle where the camera shutter is used instead of slits or strobes to freeze the motion. The downside (or potentially part of the attraction) is that the viewer needs to watch through a machine to experience the desired effect.



Jim le Ferve of Nexus Productions writes:

In March 2007 at the Victoria and Albert Museum in London we hosted an evening of animation related events which I took as an opportunity to make some more examples of my Phonographantasmascope, noun
an extension of the Zoetrope principle.

It is all live action and works by using the shutter speed of the camera rather than the rather irritating stroboscope methods other 3D Zoetropes use.



Gijs Gieskes has made many wonderful machines from gameboys or other machines which he’s circuitbent.

He writes about the Acid Machine:

The circle with the lines that you see on the top of the machine, and rotates and displays the note you are playing.
When you play a C the lines in the middle circle will be standing still.. from the C it will go outward, displaying all notes on a keyboard in 12 steps.

It works by making a LED blink in the frequency of the sound, and rotating the image at a set speed.

more information here

(thanks, kevin!)

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